Popping in with a late-Friday night post (never let it be said that I don’t know how to party!) showing the end results of the reduction linocut I created on Tuesday. The basis for my design was the set of mark making ink drawings I did just before half term.
They were created using everything from the end of my metal ruler, the tines of a fork, paintbrushes, a macron fineliner and my fingers. The first thing I did was transfer the basic ‘K’ shape onto a piece of lino by covering a photocopy of it in whiting an drawing on the back of it. I then traced over the chalk outline with a biro to give myself a clear outline to work with.
My two favourite prints from this lino.
In a reduction linocut, you create each layer of the print by carving away more lino from the same block. For this reason it is a good idea to make sure you make lots of prints of each layer, as you can’t go back and reprint previous layers. For each layer I kept one print of it at that point, and did one of each carving in black. I used these to create the gifs below.
To design each layer, I chose a different mark-making texture from my original sheet and tried to replicate it using my linocutting tools. There was an increase in detail with the first four prints, but then I had gone as far as I could with adding detail and so to get the last two prints I had to remove detail by cutting it out.
The last cut I made removed most of the detail that was left in the lino. It looks far more effective in the colour print than on the black and white one. Lining up each overprint was a bit of trial and error; it’s quite hard to line up the detail such as the rouge frame I did, when you can only see the edges, especially as once I’d warmed up the lino on the hot plate to carve it more easily it then bowed in the middle when I was trying to place it!
Some prints were more successful with being aligned properly than others.
I did an experimental colour print which you can see behind the acrylic laser cut ‘K’ above. Instead of printing each one exactly over the previous one, I rotated it by 90 degrees each time. This allowed the colours and patterns to play with each other in a different way.
Colour choice wasn’t something I planned with this piece. I chose the next colour each time by looking at the combined effect of the previous colours and picking what I thought would look nice over it, with little thought. I think in hindsight, a more subtle yellow colour would have worked better as the final one, or perhaps even black, just to frame it. I think that in future it would be good to do an additional print that is varying tones of the same colour too.